Bachmanns feministische Rezeption in Italien

Rita Svandrlik


This paper discusses new Italian feminist approach to Ingeborg Bachmann’s work. It first examines Biancamaria Frabotta’s interest for the corporal dimension of the characters; further, it considers the readings of the group La luna, which emphasize the aspect of language and communication. Finally, it deals with the reception Bachmann’s work met with from the poetess Amelia Rosselli and the philosopher Adriana Cavarero, which actually confirm Ingeborg Bachmann as an icon of Italian feminism.


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