Das religiöse Projekt ist ein ästhetisches ist ein soziales ist ein politisches. Zu Friedrich Hölderlins Fragment Über Religion im Kontext der Debatten um Religion und Mythologie (Lessing, Moritz, Friedrich Schlegel)

Wolfgang Braungart

Abstract


This essay interprets and contextualizes Hoelderlin’s fragmentary text Über Religion from 1796/97, starting with Lessing and K. Ph. Moritz, in the debates on a New Mythology (Hegel, Schlegel, Novalis).
Hölderlin understands religion as a task for the individual, a project of communitarisation and a challenge for art - and all these together. Religion and art, they are not only rivals; and art does not simply compensate the loss of religious reliability.


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